Extract of Review of “The Grandfather Paradox”

“The personal and the historical converge beautifully in Ambrose’s work, highlighting how fiction can preserve cultural memory and revive lost truths. As readers immerse themselves in this richly woven narrative, they are invited not just to witness history but to feel a part of it—heralding hope in the face of adversity and making the past a living, breathing entity within contemporary discourse. Such works remind us that history is not a fixed narrative but an evolving dialogue that connects generations.”

Nancy Park Hall, “Whispers of History”, 30/06/25

Interview on Talk Radio Europe

I was interviewed on Talk Radio Europe (28/05/2025) on the publication of my first novel “The Grandfather Paradox”.

https://charlesambrose.com

Sound/Image Festival, Greenwich University

Nothing Beside Remains

An extract of my 360 4K video Nothing Beside Remains, was screened at the “Image/Sound Festival”, Greenwich University, London on Nov 11th, 2024.

The work was shot at Xlendi Bay, Gozo and originally presented in a continuous repeating looped sequence in a site-specific installation at Valletta Contemporary as part of my exhibition Meta Landscapes, April-June 2022. The sound track is Arvo Pärt’s Spiegel im Spiegel (1978), performed by Leonard Roczek (cello) and Herbert Schuch (piano).

Nothing Beside Remains

“Double Acts”, in Conversation.

Double Acts: Collaborative Partnerships in Early Artists’ Video

Double Acts: Collaborative Partnerships in Early Artists’ Video 22 September 2023 – 29 October 2023

Curated by CM-A for Rewind.

Link to a recording of CM-A in conversation with artists Brian Hoey, Madelon Hooykaas, Peter Boyd Maclean and Rik Lander about their collaborative video partnerships with an introduction by Adam Lockhart and Laura Leuzzi of Rewind.