Chris Meigh-Andrews first experimented with video in 1973 and began exhibiting his work internationally in the late 1970’s. His early single screen video works have featured in a number of key exhibitions: “Short Histories of Video Art, (Part 2)”, John Hansard Gallery, Southampton, 2004; “Electric Eyes: British Artists’ Video 1985-88”, Tate Gallery and the Institute of Contemporary Art (ICA), London; Museo de Arte Moderno, Medellin, Columbia, Akademie der Bildenden Kunst, Vienna 1988; “Genlock”, Interim Arts, London, (& Touring) 1988; “Video from the 70’s and 80’s”, Doggerfisher, Edinburgh, 2008; “Analogue: Pioneering British, Canadian and Polish Artists’ Video”,(1968-88), Tate Britain, Anthology Film Archives, New York, the Foundation for Art & Creative Technology (FACT), Liverpool, Museum of Contemporary Canadian Art, (MOCCA),Toronto, Arsenal Institute fur Film und Videokunst, Berlin, and the Centre for Contemporary Art, Warsaw, 2007-08, “The Self & Surroundings”, Dundee Contemporary Arts Centre, 2012 and “Hidden on Tape”, ZKM,Karlsruhe, (forthcoming 2026). His early video work also features in two recent DVD collections: “Rewind and Play: An Anthology of Early British Video Art”, Lux/Rewind, (2009) and “New Contemporaries Moving Image: 1968-2010”, Bloomberg/New Contemporaries, (2014)…