The Milano Green Forum has recently curated an on line exhibition of artists working with solar energy which includes information on my installation SunBeam (2011) as well as Digital Moving Image Installations and Renewable Energy: 1994-2018, the chapter I contributed to “Technology, Design and the Arts–Challenges and Opportunities”, originally published by Springer Books, 2020. Link […]
I will be presenting a new solar-powered, site-specific installation in “Desert Equinox”, Sept 30th-Oct 2nd, 2022. For further info, see: https://www.desertequinox.com.au
Link to interview about current exhibition at Valletta Contemporary
The newest addition to my ongoing “Impossible Objects” series. Look Cool and Save the Planet!
I have begun working on the first stage of a new installation project which involves digitising brief fragments of 8mm film shot by my father during the 1960’s.
Technology, Design and the Arts – Opportunities and Challenges, Earnshaw, R., Liggett, S., Excell, P., Thalmann, D. (Eds.), just published by Springer.com, this open access book contains two chapters that feature my work. Chapter 15: Chris Meigh-Andrews, Digital Moving Image Installations and Renewable Energy: 1994–2018 Chapter 18: Dr Alan Summers: In Darwin’s Garden: An Evolutionary […]
My selection of works for the experimental film section of the Strangelove Time Based Media Festival goes “live” on June 22nd. The selected artists and works in this programme are: Andrew Demirjian (USA), Pan-terrestrial People’s Anthem (2018);Robert Cahen (France),Narsica Hirsch (Argentina) and Ruben Guzman (Argentina) Kosmos II (2020) ; Tessa Garland (UK) Legacy Warf (2020); Masayuki […]
I will be making a presentation about the background and relaunch of the EDAU Film and Video Artists’ Study Collection on Saturday, September 28, 2019 at Video Vortex 12, Spazju Kreattiv,Valletta.
I am pleased to announce that the Film and Video Artists’ Study Collection, formerly located in the Electronic and Digital Arts Unit (EDAU) at the University of Central Lancashire has recently been transferred to the Faculty of Media & Knowledge Sciences at the University of Malta in Valletta. Once it has been catalogued and restored, […]