Current Project: “Impossible Object No. 4 (Flying Lampadario)”

My most recent installation/sculpture is now completed. Here are some test images taken today in the Benham Project Space.

Impossible Object No. 4 (Flying Lampadario)”, 2018.

Detail: “Impossible Object No. 4 (Flying Lampadario)”, 2018.

Detail “Impossible Object No. 4 (Flying Lampadario), 2018

“Impossible Object No. 4 (Flying Lampadario)”, 2018.

“Émergence de l’art vidéo en Europe”, ECAL, Lausanne, Dec. 2017.

Robert Cahen, L’invitation au voyage, 1973, vidéo couleur /sonore, 9mn

I will be participating in “Émergence de l’art vidéo en Europe: historiographie, théorie, sources et archives (1960-1980)” at l’ecole cantonale d’lart (ECAL) in Lausanne on Dec 11th-12th, following my presentation during the initial seminar at the Biblotheque Nationale, Paris in May last year.

Lundi 11 et mardi 12 décembre 2017
École cantonale d’art de Lausanne
salle Kiarostiami et auditoire IKEA
Séminaire-atelier de recherche 2
et Passé Composé : Robert Cahen, pionnier de l’art vidéo,
Entretien avec Fleur Chevalier

Ce deuxième séminaire de recherche « Émergence de l’art vidéo en Europe : historiographie, théorie, sources et archives (1960-1980) » du LabEx Arts-H2H réunit les chercheurs du projet, ainsi que des spécialistes internationaux, en vue de préciser les premiers temps de l’art vidéo à l’échelle européenne. Ce sera également l’occasion de revenir sur la situation de la vidéo en France, lors d’une conférence publique entre le ciné-vidéaste et compositeur Robert Cahen et la chercheuse Fleur Chevalier.

Porteurs du programme « Émergence de l’art vidéo » :
François Bovier (École cantonale d’art de Lausanne / Maître d’enseignement et de recherche, Université de Lausanne)
Alain Carou (Conservateur, Département de l’audiovisuel, Service Image, Bibliothèque nationale de France)
Larisa Dryansky (Maître de conférences, Université Paris-Sorbonne)
Grégoire Quenault (Maître de conférences, Université Paris 8 Vincennes-Saint-Denis)
Assistés de :
Ségolène Liautaud (Ingénieure d’études, LabEx Arts-H2H)
Collaborateurs invités :
Barbara Borčić (Directrice, SCCA-Ljubljana, Centre d’art contemporain)
Laura Leuzzi (Chercheuse associée, Université de Dundee)
Chris Meigh-Andrews (Professeur émérite, Université du Lancashire central)

Carbon Meets Silicon ’17 – Symposium and Exhibition
Tues 10:00 · Wrexham Glyndŵr University · Wrexham

The gallery version of “In Darwin’s Garden”, an augmented reality installation produced in collaboration with Dr Alan Summers and Rowan Blaik, will be installed at Oriel Sycharth Gallery, Wrexham for “Carbon Meets Silicon”.
See also: http://www.3dpixels.co.uk/darwinsgarden/

In Conversation with Michael Nyman

La Venaria Reale, Torino. Michael Nyman and Chris Meigh-
Andrews. (Photo: Isabella de Maddalena)

“Decisive Moments: A Conversation between Michael Nyman and Chris Meigh-Andrews” is published in the catalogue for Michael Nyman’s exhibition “Images Were Introduced” , La Venaria Reale, Turin, Fondazione Elisabetta Sgarbi, 2017.

“For Issac, Alan & Steve”- New outdoor installation, Aug 2016

For Issac, Alan & Steve 1, 2016 For Issac, Alan & Steve 2, 2016 For Issac, Alan & Steve 3, 2016 For Issac, Alan & Steve 4, 2016

For Isaac, Alan & Steve

A Site-specific double screen outdoor video installation for “Outside”, Cuckoo Farm Studios, Colchester.

This work, playfully dedicated to three of my heroes, references the iconic fruit which is associated with them- Sir Issac Newton, who according to legend was inspired by one, Alan Turing, who allegedly poisoned himself with one, and Steve Jobs, who named his world-beating company after one.

 I have worked with the video medium for many years and have sought ways to bring what is clearly (and most emphatically) an indoor medium- outside, and this installation is simply another attempt to make something of this kind.

 The work has a very simple “core” idea (many apologies for this pun), which centres on the illusion that we are looking at an image of the same apple as it moves from one screen to the other, which of course, as everyone will understand, it does not. Aside from this, and that I like the idea of putting domestic TV sets into a tree, I just want to tip my hat to Messers Newton, Turing and Jobs.