
Posts by vidartist:
For Michael Snow- in Memoriam
August 13th, 2026
Comments Off on For Michael Snow- in Memoriam
“Continuum” acquired by FMAC, Geneva and exhibited in “Hidden on Tape”, ZKM, Karlsruhe (2026-2027).
July 8th, 2026My early videotape “Continuum” (1977), made in collaboration with Gabrielle Bown has been acquired by the FMAC (Collection d’art Contemporain de la Ville de Genève) for their video collection.
https://www.fmac-geneve.ch/oeuvres/collection-videos

Comments Off on “Continuum” acquired by FMAC, Geneva and exhibited in “Hidden on Tape”, ZKM, Karlsruhe (2026-2027).
“For Michael Snow- In Memoriam”, new site-specific installation, Aug-Sept 2026
June 26th, 2026“For Michael Snow – In Memoriam”: a site-specific installation for the At Home Gallery, Samorin, Slovakia, August-October, 2026. Conceived as a tribute to Michael Snow (1928-2023), this site specific installation explores the window as a threshold space, between inside and outside, presence and absence, life, and memory.
athomegallery.org/www.athomegallery.org/NEWS_2.html

Comments Off on “For Michael Snow- In Memoriam”, new site-specific installation, Aug-Sept 2026
You Are Cordially Invited: An Exhibition of Early Video Art, March 20th-26th.
March 19th, 2026“Continuum” (1977-78), my earliest existing videotape, made in collaboration with Gabrielle Bown, is being presented in an exhibition curated by MA Curatorial students at Duncan of Jordanstone College of Art & Design, Dundee: 20-26th March, 2026.

Comments Off on You Are Cordially Invited: An Exhibition of Early Video Art, March 20th-26th.
Here & Now: Artists’ Video From the UK, MuSA, Pietrasanta, Italy, Sept 2025.
October 28th, 2025
Comments Off on Here & Now: Artists’ Video From the UK, MuSA, Pietrasanta, Italy, Sept 2025.
Extract of Review of “The Grandfather Paradox”
October 16th, 2025“The personal and the historical converge beautifully in Ambrose’s work, highlighting how fiction can preserve cultural memory and revive lost truths. As readers immerse themselves in this richly woven narrative, they are invited not just to witness history but to feel a part of it—heralding hope in the face of adversity and making the past a living, breathing entity within contemporary discourse. Such works remind us that history is not a fixed narrative but an evolving dialogue that connects generations.”
Nancy Park Hall, “Whispers of History”, 30/06/25

Comments Off on Extract of Review of “The Grandfather Paradox”
Interview on Talk Radio Europe
June 19th, 2025I was interviewed on Talk Radio Europe (28/05/2025) on the publication of my first novel “The Grandfather Paradox”.
https://charlesambrose.com

Comments Off on Interview on Talk Radio Europe
“Ca’foscari Short Film Festival”, Venice; March 19th-22nd, 2025.
February 25th, 2025A single screen version of my video “Nothing Beside Remains” will be screened at the “Ca Foscari Short Film Festival” in a programme of recent UK work entitled “Lo Sguardo Sospenso” (“The Suspended Look”), curated by Elisabetta Di Sopra & Laura Leuzzi.

Comments Off on “Ca’foscari Short Film Festival”, Venice; March 19th-22nd, 2025.
Keynote Speaker
December 25th, 2024I will be a keynote speaker at the First International Conference on Creative Arts (ICCA), taking place in the College of Art & Design, University of the Punjab, Lahore, Pakistan, Jan 27th-29th, 2025.

Comments Off on Keynote Speaker
Sound/Image Festival, Greenwich University
November 16th, 2024
Nothing Beside Remains
The work was shot at Xlendi Bay, Gozo and originally presented in a continuous repeating looped sequence in a site-specific installation at Valletta Contemporary as part of my exhibition Meta Landscapes, April-June 2022. The sound track is Arvo Pärt’s Spiegel im Spiegel (1978), performed by Leonard Roczek (cello) and Herbert Schuch (piano).

Nothing Beside Remains
Comments Off on Sound/Image Festival, Greenwich University