PhD: Royal College of Art, School of Communications: 1996 -2001.
MA Fine Art: Goldsmith’s College, University of London: 1981-83.
Higher Diploma in Creative Photography: London College of Printing: 1976-79.

All the Water I Drank During Lockdown, 10 Trinity St, Colchester, Aug 2020.
Some Impossible Objects: Four New Works, The Benham Gallery, Essex, Feb 2020
The Sky is For All, Ruskin Gallery, Anglia Ruskin University, Cambridge, March 2019.
Sculpting with Light & Time: Video and Installations: 1978-2014, Minories Galleries, Colchester, Nov. 2014-Jan 2015.
In Darwin’s Garden, Leonardo Electronic Almanac, & Kasa Gallery, Sabinsi University, Istanbul, Aug 2012.
The Monument Project (Si Monumentum Requiris Circumspice), Nunnery Gallery, London, March 2009.
Wawel z Mostu Debnickiego, Galeria Sztuki Wspólczesnej, Krakow, January, 2004.
Mothlight 2, 291 Gallery, London, June 2001.
Fenetre Digitale, Galeri Brighi, Passages es Panoramas, Paris, June -July 2000.
Mothlight, The Rich Women of Zurich, London, March 1999.
Mothlight, Glass Box Gallery, Salford, Manchester. Oct.1998.
Mothlight, Certosa di Calci/Museum of Natural History, Pisa, April-May1998.
Mind’s Eye, Hotbath Gallery, Bath, July-Aug 1997.
Fire, Ice & Steam, Middlesbrough Gallery, Cleveland, 1995.
Vortex, Prema Arts Centre, Uley, Gloucester, Oct- Nov. 1995.
Perpetual Motion, Saw Contemporary Arts Centre. Ottawa, Aug-Sept. 1994.
Heaven & Earth, London Film-Maker’s Co-op, Feb.1992.
Field Study, The Basement, Newcastle-upon-Tyne, 1982.

Double Acts: Collaborative Partnerships in Early Artists’ Video: , Re_Exhibit_Rewind Online Gallery, Sept-Oct 2023.
A Powerful Change, Milano Green Forum, Italy. March, 2023.
Desert Equinox, Broken Hill, New South Wales, Australia, Oct 2022.
Meta Landscapes: Representations & Perceptions, Valletta Contemporary, Malta, April 28th-June 25th, 2022.
Turner– Stilte in de Stad (Turner- Silence in the City), Stadsarchief, Amsterdam, Aug 4th-Nov 1st, 2020.
Visions of Science, Andrew Brownsword Gallery, Bath, Sep-Oct 2018.
Carbon Meets Silicon, Oriel Sycharth, Wrexham, Sept 2017.
Future Now: Aesthetica Art Prize: 100 Contemporary Artists, York Art Gallery, May-Sept, 2017
Art, Science, Life: Curated Responses,Ipswich Museum, Suffolk, Feb-May 2016.
La Lune: Energy Producing Art,Long Reef, Sydney, New South Wales, Australia, May 2014.
Art in Your Park, Highfields Park, Nottingham, Sept-Oct 2013
Re: Location 2013,Fabrica, Novi Sad, Serbia, Aug 2013
The Self and Surroundings,Centrespace, Dundee Contemporary Arts Centre, Feb 2012.
Light/Dark & Motion & Stasis,24/Seven Project Space, Gooden Gallery, London, May-June 2011.
De eerste foto’s van Amsterdam 1845-1875, Stadsarchief, Amsterdam, April 2010.
Film/Video/Performance,Wimbledon Space, London, Feb-March 2010.
Scratch Video,Street Level Gallery, Glasgow, March 2009.
Video from the 70’s and 80’s,Doggerfisher, Edinburgh, Sept-Oct 2008.
Punctum,Redchurch Gallery, London, Dec 2007.
Analogue: Pioneering Video from the UK, Canada and Poland; 1968-88,Tate Modern and Tate Britain, Nov- Dec. 2006. Anthology Film Archives, New York, Jan. 2007, Norwich Gallery, Jan 2007, Foundation for Art & Creative Technology (FACT) , Liverpool, March 2007, Museum of Contemporary Canadian Art, Toronto, Nov 2007, St James Cavalier Centre for Creativity, Valletta, Oct-Dec 2007, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Nov. 2008.
Crossing the Atlantic,80 Washington Square Galleries, New York, Sept-Nov, 2006.
Digital Discourse,Cavalier St. James Centre for Creativity, Valetta, Nov. 2005.
Short Histories of Video Art, (Part 2), John Hansard Gallery, Southampton, May 2004.
Experiments in Moving Image,Lumiere Cinema, London, Jan 2004.
A Photographic Truth, Huis Marseille Foundation, Amsterdam, Aug-Nov 2003.
Smog,London School of Hygiene & Tropical Medicine, Dec 2002-Feb 2003.
Digital Responses,The Victoria & Albert Museum, London, Sept 2002-March 2003.
Interstanding 4,Center for Contemporary Arts, Tallinn, Nov. 2001.
Rural England Through a Victorian Lens,Canon Photography Gallery, Victoria & Albert Museum, London, April-Sept. 2001.
AnOther Place,The Storey Institute, Lancaster, Jan-Mar. 2001.
Submerged,Bath International Music Festival, Bath , May -June 1999.
Back/Slash, Castlefield Gallery, Manchester, Sept.-Nov. 1996.
ArCade, Digital Creativity, University of Brighton, April 1995 (Touring UK: 1995-97).
River Crossings, Camerawork,(The Café Gallery) London. April-May, 1993.
Quick! , Royal Festival Hall,The South Bank Centre, London, April 1993.
European Media Art Festival, Osnabruck, Sept. 1992.
4xVideo, Galeri OneOne, Antwerp, Feb. 1991.
New Art Northwest,Mercury Court, Liverpool. Aug. 1991.
Visions & Transmissions, Harris Museum, Preston. Nov.-Dec. 1990.
External Affairs, Canada House Gallery, London. Sept. 1989.
Genlock, Interim Arts,London, 1988. (& UK Tour: 1988-89)
Electric Eyes: British Artists Video 1985-88;Tate Gallery, ICA, London; Sao Paulo; Museo de Arte Moderno Medellin, Columbia; Akademie der Bildenden Kunst, Vienna. (& UK Tour: 1988-89)
The Art of Understatement: Recent British Video, Madrid, 1988.
British Video Art & Experimental Film,Mucsarnok, Budapest, 1987.
Breaking Boundaries, Channel 6, Institute of Contemporary Arts, London: 1986.
Light Years, London Film-Makers Co-op, 1986.
New British Video, Atelilier de Pedegogie et d’animation, Strasbourg, 1986.
Summary Video UKICA, London: 1984.
The British/Canadian Video Exchange, A Space, Toronto, 1984.
Olympus Gallery, London, January, 1984.
Video/Performance, The Photographers Gallery, London: 1984.
Three-Quarter Inch Productions, Gallery Trenkanten, Copenhagen, 1983.
New British Video, Museum of Long Beach, California, 1983.
Atelier Ste. Anne, Brussels, 1981.
The New Contemporaries, ICA , London: 1979.
New British Image, Side Gallery, Newcastle: 1977. (& UK Tour: 1978-79)

Fields of View, The Others, Stoke Newington, Sept 2021.
Stranglelove Festival 2020, Video Art, June 2020.
Songs of Experience, Istanbul Experimental Film Festival, Nov 2019.
Stranglelove Festival 2019 , Quarterhouse, Folkstone, March 2019.
Video Home System, Glasgow Film Festival, 2017.
One Minute Vol 9, (Touring UK and Internationally), 2016-17
One Minute Remix, Pt 2, Furtherafield Gallery, London, Nov 2014.
One Minute Video, Vol 6(Touring UK and Internationally), 2012-13.
Welcome to the Treasuredome, ICCI 360 Arena, Weymouth, Aug, 2012.
Scratch the Surplus,The Big Yellow Self Storage, Depthford London, July 2012.
Decode/Recode,University of Salford, Media City, Salford, March 2012.
For Japan,Hotshoe Gallery, London, Aug 2011.
SunBeam, (Site-Specific digital projection) University of Central Lancashire, Preston, May 2011.
Record Again,International Festival of Media Arts, Ankara, November 2010.
Ashbury Park, New Jersey, USA. Sept 2010.
One Minute Video, Vol. 4(Touring UK and Internationally, 2010-13)
With Love from Me to You,James Taylor Gallery, London, Nov. 2009.
Fisheye, Rome, Oct 2009.
Stills,Glasgow, (Rewind + Play, DVD Launch) Oct 2009.
Invideo,Milan, November, 2008.
Scratch Video,Dundee Contemporary Arts, April 2008.
The Nature of Systems,British Film Institute, London, Nov. 2007.
Tabala Rasa,Croydon Clocktower, Dec 2002.
Mute Loops,Lux Gallery, London, July 2001.
The British Landscape Through the Lens,Tate Britain, London, Oct-Nov 2001.
Place Setting, (with Peter Ting) Victoria & Albert Museum, London. Nov. 1999.
The Ottawa International Festival of Video Art,(Touring Canada: 1984-85).
Video by Artists, National Film Theatre, London, March, 1984.
The Expanded Media Show,Sheffield City Polytechnic, Feb. 1983.
LVA Gallery,London, Sept. 1983.
Ljublana Video Festival, Ljublana, 1983.
Three-Quarter Inch Productions: Chris Meigh-Andrews,Cairn, Paris, 1982.
Video Screenings: Chris Meigh-Andrews,ICA Cinematheque, London, 1982.
Fourth Annual Tokyo Video Festival,Tokyo, 1981.
London Video Arts at the London Musician’s Collective, Aug.1981.
New Acquisitions, Art Metropole, Toronto, 1981.
National Video Festival,South Hill Park, Bracknell, Berkshire, 1980, 1981, 1982 & 1987.
Rusden State College,Victoria, (Australia), May 1979.

Landscape and the Moving Image, Catherine Elwes, Intellect Books, London 2022.
Digital Vision and the Ecological Aesthetic (1968-2018), Lisa Fitzgerald, Bloomsbury, London, 2021.
A History of Solar Power Art and Design, Alex Nathanson, Routledge, London and New York, 2021.
In Darwin’s Garden: An Evolutionary Exploration of Augmented Reality in Practice, Alan Summers, in R. Earnshaw et al. (eds.), Technology, Design and the Arts—Opportunities and Challenges, Springer Books, Cham, Switzerland, 2020.
Rewind: British Artists’ Video in the 1970’s & 80’s,Sean Cubitt & Stephen Partridge, eds., John Libbey Publishing, 2012.
Studies in Temporal Urbanism: The Urban Tick Experiment,Fabian Neuhaus, ed., Springer Books, Heidelburg, London and New York, 2011.
Video Art, England’s Avant-Garde, an Interview with Sean Cubitt,
Practice-led Research in the Creative Arts,H Smith, & RT Dean, Edinburgh University Press, 2009.
A History of Artists’ Film in Britain,David Curtis, British Film Institute, London, 2007.
Sztuka w Bunkrze/Art in Bunkier: Bunkier Sztuki Gallery 1994-2006,Beata Nowacka-Kardzis, ed. Krakow, 2006.
The Hunt for Submarines in Classical Art: Mappings between Scientific Invention and Artistic Inspiration, Arts & Humanities Research Council, 2006.
Video Art, A Guided Tour,Catherine Elwes, IB Taurus, London, 2005.
“Video Art and the Argument from Design”, A.L Rees, Experiments in Moving Image, Epigraph Publications, Jackie Hatfield, ed. London, 2004.
Video Loupe, Catherine Elwes,KT Press, London, 2000.
Space, Site, Intervention: Situating Installation Art,Erika Suderburg, ed. University of Minnesota Press, 2000.
The Object (ive) of Art in the Age of Digital Revolution,J Byrne, “Convergence”, 1997.
Diverse Practices-A Critical Reader on British Video ,Julia Knight, ed, Arts Council England / John Lilly Media, Luton,1996.
A Directory of British Film and Video Artists,David Curtis, ed. Arts Council England/John Lilly Media, Luton, 1996.
Digital Mediation. Imagine Technology as Art,Lawena Faul, Back/Slash, Sept, 1996.
Videography: Video Media as Art and Culture,Sean Cubitt, MacMillan, London, 1993.
The Politics of the Personal in British Video Art,Catherine Elwes, LVA Catalogue, Oct. 1991.
Video Installations in the UK,Video Positive, April. 1991.
The Book of Special Effects in Photography,Michael Langford, Ebury Press, London, 1981.
British Image 4, Arts Council of Great Britain, London, 1977.

REVIEWS, ARTICLES and ESSAYS (About the work of CM-A)
Video Landscapes at Valletta Contemporary, Jozef Cseres, Profil 3, 2023, Brno, April 2023.
Landscapes and Beyond at Valletta Contemporary, Malta Sunday Times, 12/06/2022.
Lockdown Inspires Artist’s Plastic Bottle Sculpture, Daily Gazette, 26/08/2020
In Darwin’s Garden: An Evolutionary Exploration of Augmented Reality
in Practice
, Alan Summers, in R. Earnshawet al. (eds.), Technology, Design and the Arts—Opportunities and Challenges, Springer Books, Switzerland, 2020.
British Artist Climbs Mt Ishizuchi,Ehime Shimbun,(Ehime Prefecture newspaper), Japan,19/11/2018.
Angelic Ecologies, Millennium Film Journal, Number 58, Fall 2013.
Sun to Light Up the Night Time Sky,Lancashire Evening Post, 9/05/11
Rewinding Video Back to the Start,Jack Mottram, The Edinburgh Herald , 10/10/08.
High in the Hot Spot,Cornerstone, Vol 29, No 2, 2008.
Visual Arts Diary: “Analogue & Digital”, K. MacMichael,, Jan 2008.
The Video Art Gallery,Aesthetica, Nov 2007.
“A History of Video Art; The Development of Form and Function”,
Samantha Lackey, “Screen Studies”, The Art Book, Vol. 14, Issue 3, August 2007, Blackwell Synergy.
As Seen on Screen,The Metro, 2/3/07.
Distributed Aesthetics and the Tele-image,Vince Dziekan, “Remote”, Plimsol Gallery, Centre for the Arts, Hobart, Australia, June 2006.
Gray Scale Video and the Shift to Colour,Sean Cubitt, Art Journal, Sept 2006.
Digital Discourse,Malta Now, Issue 09, Jan, 2006.
Digital Discourse,The Times, (Malta) Dec 2005.
Chris Meigh-Andrews, Windsor Review, (Ontario, Canada), Vol 38, No. 2, 2005.
Interwoven Motion,AN Magazine, November, 2004.
Photography in Contemporary Installation,Biuletyn Fotograficzny,Krakow, March, 2004.
Amsterdam volgens een pionier en een zanddfotograaf,Het Parool, 30/09/2003.
Tijdreis in het donker met foto’s van BB Turner,NRC Handelsblad, 25/09/2003.
Nothing Matters, “Interstanding 4, End Repeat”,Estonian Art, Vol 2, 2001.
Case Study : A Photographic Truth 2001,Hot Dots, Nov, 2001.
Video Links Past and Present at V&A,AV Magazine, Sept. 2001.
Nor Did His Shutter Sleep in His Hand, The Times, (London), 3/4/2001.
D-Pict, (Cover image), April/May, 2000.
Fenetre Digitale,Time Out, No.1575, Oct. 25th-Nov. 1st, 2000.
Submerged, “Soundings”, AN Magazine, July, 1999.
Mothlight, Flash Art, Summer 1998.
Tecnologia e ambiente poi amore e…faralle, La Nazione, Tuscany, (Italy) 17/4/98.
Mind’s Eye, “The Guide”, Exhibitions Preview, The Guardian, 12/7/97.
Mind’s Eye, Preview, Contemporary Visual Arts, Issue 15, July 1997.
Perpetual Motion by Chris Meigh-Andrews, “City Life”, Manchester, Oct. 1996.
Chris Meigh-Andrews, Vortex- A Video Installation, Live Art Magazine, April 1996.
Interview with Chris Meigh-Andrews, Virus, Milan, Italy, April, 1995.
Lost in Cyberspace, Artists Newsletter, June 1994.
Camerawork on Board, Stage, Screen & Radio, May 1993.
River Crossings, Hybrid, June-July, 1993.
River Crossings, Creative Camera, Feb-March, 1993.
European Media Art Festival, Variant, Nov. 1992.
Osnabruck Media Art Festival, Frankfurter Rundschau, (Germany) 17/9/92.
Eau d’Artifice, Chris Meigh-Andrews, Performance, Spring 1992.
Video Art Flows into Mercury, Liverpool Daily Post, 21/8/91.
Visions & Transmissions, Screen, Vol. 32, No. 2, Summer 1991.
Visions & Transmissions, Artscribe International, April 1991.
High Tech Exhibition Features Video Art, Lancashire Evening Post, 29/11/90.
The Stream, Independent Media, March 1988.
Reel Art,Time Out, No. 674, July 22nd-28th, 1983.
Video Art, Stills, Vol.1 No. 4, Winter 1982.
Moves & Blurs,The Listener, Feb. 1978.

PUBLICATIONS: Authored and Edited Books
A History of Video Art,(2nd Edition),Bloomsbury, London and New York, 2013.
Chinese translation, China Pictorial Press, Beijing, 2018.
Digital Aesthetic 2, EDAU, Preston, Jan 2008.
A History of Video Art: The Development of Form and Function,Berg, Oxford and New York. 2006.
Japanese translation, Sangensha, Tokyo, 2013.
Analogue: Pioneering Video from the UK, Canada & Poland; 1968-88, EDAU, Preston, (2006).

The Exploration of Nature, Time and the Spiritual in the Video Installation Works of Madelon Hooykaas, “The Artist as Explorer”, Jap Sam Books, Amsterdam, 2023.
Sound & Vision: Early Artist’s Video and Music, “More Than Illustrated Music
Aesthetics of Hybrid Media between Pop, Art and Video”, Bloomsbury, 2023
Digital Moving Image Installations and Renewable Energy: 1994-2018, “Technology, Design and the Arts–Challenges and Opportunities”, Springer Books, Cham, Switzerland, 2020.
The Emergence of Early Artists’ Video in Europe and the USA and its Relationship to Broadcast TV , “Materializing Memories: Dispositifs, Generations, Amateurs”, Bloomsbury, (2018)
Location & Dislocation, Site & Architecture: Video Installation by Palestinian Artists, “Palestinian Video Art – Constellation of the Moving Image”,Bashir Makhoul, ed, Palestinian Art Court-al Hoash, Jerusalem, 2013.
Optiks: Peter Campus, and In Conversation with Michael Snow,”The BFI Gallery Book”, British Film Institute, London 2011.
Video Installation in Europe and the USA: The Expansion and Exploration of Electronic and Televisual Space: 1968-1988,”Expanded Cinema: Film Art Performance”,Tate Publications, London, 2011.
Peter Campus, “100 Video Artists”, Exit Publications, Madrid, 2010.
Interwoven Motion: Steps Towards a Semi-Permanent Outdoor Self-Powered Video Installation, “The Itemisation of Creative Knowledge”, FACT/ Liverpool University Press, 2006.
The Vasulka Tapes, “Vasulka Lab 1969-2005-Live Archive”,Vivid, Birmingham, 2006.
Chris Meigh-Andrews: Early Video Tapes: 1978-87, “Experimental Film and Video”,Jackie Hatfield, ed., John Libbey Publishing, Southampton, 2006.
Chris Meigh-Andrews, Sculptural & Video Installations: 1989-95, “Experiments in Moving Image”, Epigraph Publications, London, 2004.

PUBLICATIONS: Catalogues, DVDs and CD Roms
New Contemporaries Moving Image: 1968-2010, Lux/Bloomberg New Contemporaries, 2014. (DVD)
Light & Dark/Motion & Stasis, EDAU, Preston, 2011.
Rewind and Play: An Anthology of Early British Video Art, Lux/Rewind, (DVD) 2009.
Chris Meigh-Andrews Installations: 1998-2004, EDAU, Preston, March 2005.
For William Henry Fox Talbot (The Pencil of Nature), “Digital Responses”, V&A Museum/ London Institute. (CD Rom)
Chris Meigh-Andrews, Video Tapes, Installations, CD Roms: 1978-1997,University of Central Lancashire, 1997.

PUBLICATIONS: Journal Articles, Essays and Reviews.
Peter Campus: myoptiks, Art Monthly, Number 474, March 2024.
Creativity, Conflict and Desire: Vince Briffa’s “Outland”, “Maleth/Haven/Port: Heterotopias of Evocation”, Arts Council Malta/Mousse Publishing, Milan, 2019.
Nam June Paik’s ‘Sloppy Machine’: The Development, Functions and Legacy of the Paik-Abe Synthesizer, NJP Reader No. 6, “Reanimating Nam June Paik”, Seoul (2018).
Maszny, Muzyka I Ruch: Kino Michaela Nymana, (Polish), Sound edit 17 (, October, 2017.
Roundtable Discussion: London Video Arts, Moving Image Review and Art Journal, (MIRAJ), Vol 6, Numbers 1 & 2. Intellect Books, London, 2017.
Decisive Moments: Chris Meigh-Andrews in Conversation with Michael Nyman, Venaria Reale, Turin, June 2017.
Peter Campus: convergence d’images vers le port, Jue de Paume, Paris, April 2017.
Electronic Abstractions: The Pioneering Video Work of Peter Donebauer, “Abstractions of the Soul, Paresh Chakraborty & Peter Donebauer”, Tesserarts Gallery, London. Oct 2015.
Peter Campus, “Dredgers”, Tierney Gardarin, New York, Feb, 2014
In Darwin’s Garden: Temporality and Sense of Place, Leonardo Live Visuals, Volume 19, Issue 3, 2013.
An interview with Takahiko Iimura, Moving Image Review & Journal, Vol 1, Issue 2. Intellect Books, London, 2012.
The Monument Project, (Si Monumentum Requiris Circumspice), Leonardo, Vol. 42, No 5. MIT Press, Oct. 2009.
Robert Cahen: Passage.Art Monthly, No. 326, May, 2009.
Video Chiaroscuro: Vince Briffa’s Body of Glass- After Caravaggio, “Sounds and Visions”, Artists’ Films and Videos from Europe, The Last Decade, Silvana Editoriale Milan, 2009.
Peter Campus: Projected Video Works: 1972-80. Art Monthly
, No 316, May 2008.
Guest Editor, Art in-Sight/ Filmwaves, Issue 35, Spring 2008.
Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor, Leonardo, Vol 40, No 5. MIT Press, Nov. 2007.
Without Thresholds, Contemporary Magazine, Issue 73, June 2005.
Steina and Woody Vasulka: Multiple Dialogues,, 2004
Chris Meigh-Andrews: Video Tapes, Installations & Projections, Filmwaves, Issue 15, 2001.
Mapping the Image, Digital Creativity, Vol.12, 2001.
Unseen Images, Bill Viola’, Art Monthly, No. 173, Feb 1994.
Dummies, Dolls & Poison Candy, Art Monthly, No. 171, Nov. 1993.
Abstract, Still Life, Portrait, Art Monthly
, No. 136, May 1992.
Video Positive 1991. Art Monthly, No. 147, June 1991.
Video Sculpture & Installation, Harris Museum (catalogue essay), Preston, Nov. 1990.

BBC Radio Essex, 14/02/20, (Live interview)
Novosadska TV (NSTV), Novi Sad, 14/8/13. (live interview)
Clocktower Radio, New York, (On-line arts radio Station and Gallery), 23/07/13 (live interview)
BBC and ITV (North West England Regional news), 9/05/11. (News item on Sunbeam event)
BBC TV (London regional news), 08/02/09, (News item on Monument restoration project)
Polskie Radio 2 (Polish national radio) and Radio Krakow, 20/01/04, (Feature)
BBC Radio Lancashire,
28/10/03 (Live interview)
Eesti (Estonian National TV)
11/01 (interview & feature)
Bath International Music Festival,
HTV, 23/5/99. (Interview and feature)
BBC TV South West,
20/5/99. (News feature)
BBC Radio Bristol,
15/07/97. (Live interview)
Vortex at Prema Arts Centre,
BBC Radio Gloucester, 31/10/95. (Feature)
Oxford Brookes University’s First Artist in Residence,
BBC Radio Oxford, 25/2/94 (feature) and 27/2/94 (live Interview).
River Crossings,
“Kaleidoscope” (Arts programme), BBC Radio 4, 26/3/93. (Interview and feature)
European Media Art Festival, NDR 3
(German regional TV) 10/3/93 (Interview and feature)
Video 3, The Eleventh Hour,
Channel 4 UK & WGBH, Boston, USA, 1985 and 1987 (Interview)

Aesthetica Prize long list, 2017.
Firsite Collectors Group Bursary, 2015.
Daiwa Anglo-Japanese Foundation Award, 2010.
British Council Travel Awards: 2004 (Netherlands); 2005 (Poland); 2005 (Malta).
National Endowment for Science, Technology and the Arts (NESTA), 2003- 04.
Arts Council England, 1994,1995,1997,1999,2003,2004,2006, 2007 & 2012.
Arts Council of Great Britain, 1988,1991 & 1993.
Polish Cultural Institute, 2006. Canada Council for the Arts, 2006.
North West Arts, 1994,1996,1998 & 2000.
Southern Arts, 1994.
Henry Moore Foundation, 1999.
South West Arts, 1995, 1997 & 1999.
UK Foundation for Sport and Art, 1995.
Northern Arts, 1995.
Ontario Ministry of Culture & Arts, Canada (Visiting Artist Award) 1994.
London Arts, 1984, 1986 & 2002.
British Academy of Film & Television (BAFTA), “Best Children’s Programme”, (Member of production team), 1986.

Aeolian Processes,
Site-Specific solar-powered sound installation, commissioned for “Art in Your Park”, Highfields Park , Nottingham. Funded by Arts Council England, 2013.
The Monument Project, (Si Monumentum Requiris Circumspice); Site-specific digital installation, City of London, commissioned by Julian Harrap Architects, in collaboration with Sandbox, Uclan, 2007-08.
Interwoven Motion;
Prototype outdoor self-powered video installation, Grizedale Forest, Foundation for Art & Creative Technology (FACT), Liverpool, and Grizedale Arts, 2004.
Temporal View in Amsterdam;
Digital video projection, Huis Marseille Foundation for Photography, Amsterdam, 2003.
For William Henry Fox Talbot; (The Pencil of Nature),
Solar-powered site-specific installation, Victoria & Albert Museum, London and Lacock Abbey, Wiltshire, England, sponsored by Canon UK, and Solar Century Ltd, 2002.
A Photographic Truth; Digital projection,
Victoria & Albert Museum, London, sponsored by Canon UK, 2001.
Submerged, Site-specific installation,
Bath Festivals Trust & DA2, Bath, 1999.
Vortex; Site-specific installation,
Prema Arts Centre, Gloucester, 1995.
Fire, Ice & Steam;
Site-specific installation, Middlesbrough Gallery, Cleveland, 1995.
Site-specific installation, Camerawork, London, 1993.
Streamline; 9 channel video installation,
Bluecoat Gallery, sponsored by English Estates, Liverpool, 1991.
Eau d’Artifice;
four channel video installation, Harris Museum, Preston, sponsored by Samuelsons Communications and Jewson Ltd, 1990.

Artist in Residence, Gozo Contemporary, Malta, Oct-Nov 2021.
Visiting Artist, Cambridge School of Art, Anglia Ruskin University, 2017-18.
Arts Council International Artist Fellow, Galeria Sztuki WspÛlczesnej,Krakow, Poland. Nov 2003-Jan 2004.
Video Artist in Residence, Prema Arts Centre, Uley, Gloucester. Aug. – Oct. 1995.
Video Artist in Residence, Cleveland Arts, Middlesbrough, April-May 1995.
Artist in Residence, Saw Contemporary Arts Centre, Ottawa, Canada. Aug.-Sept. 1994.
Resident Artist in Digital Imaging, School of Visual Arts, Music & Publishing,
Oxford Brookes University, Jan.-July 1994.
Guest Artist, Summer Arts Lab, Duncan of Jordanstone College of Art, Dundee, Aug.1994.
Guest Artist, Falling Annual Festspiel, Odder, Denmark. Sept. 1984.

Double Acts: Collaborative Partnerships in Early Artists’ Video, Re_Exhibit_Rewind Online Gallery, Sept-Oct 2023.
Meta Landscapes: Representations & Perceptions, Valletta Contemporary, Malta, April 28th-June 25th, 2022.
Strangelove Time Based Media Festival, (Category curator), Aug-Sept 2020.
After Dark,
Cuckoo Farm Studios, 2013 & 2015.
Digital Aesthetic 3, Harris Museum and Art Gallery, Preston, Oct-Dec 2012.
Light & Dark/Motion & Stasis, 24/7 Project Space, Gooden Gallery, London, April-June 2011.
Film/Video/Performance, Wimbledon Space, London, Feb-March 2010.
Yes Snow Show,(with Elisabetta Fabrizzi) British Film Institute, London. Dec. 2008-09.
Analogue & Digital,Fieldgate Gallery, London, Nov-Dec 2007.
Digital Aesthetic 2,Harris Museum and Art Gallery, Preston, March-May 2007, Funding: Arts Council England, Lancashire County Council, University of Central Lancashire.
Analogue: Pioneering British, Canadian and Polish Artists’ Video, 1968-88,(with Catherine Elwes), Tate Britain & Tate Modern, London, FACT, Liverpool, Norwich Gallery, Centre for Contemporary Art, Ujazdowski Castle, Warsaw, St James Cavalier Centre for Creativity, Valletta, MOCCA (Museum of Contemporary Canadian Art) Toronto, Arsenal Cinema, Berlin, 2006-08; Touring Ontario (2008-2010) Ottawa, Peterborough, Sarnia, Waterloo and Windsor, 2006-2010. Funding: Arts Council England, Polish Cultural Institute, Canada Council
Visions in the Nunnery,Bow Arts Trust, London, 2000 and 2002.
The Digital Aesthetic,Harris Museum and Art Gallery, Preston, November 2001, Funding: North West Arts, Preston Council, University of Central Lancashire and Elephant Trust.

Tate Britain Archive, London.
Harris Museum, Preston.
Rewind, Dundee.
Muzeum Historii Fotografi, Krakow.
Stadsarchief, Amsterdam.
Huis Marseilles Foundation of Photography, Amsterdam.
Sheffield Hallam University.
Victoria & Albert Museum, London
The Vasulka Archive, Santa Fe, USA.
The British Artists’ Film & Video Study Collection, London.
The Lux Centre, London.
The National Archive of Film & Television.
Rusden State College, Victoria, Australia.
Cairn, Paris.
Royal College of Art, London.

Chairman of Jury, Istanbul International Experimental Film Festival, Nov 2021.
Adjudicator, ESC-Churchill Public Speaking competitions, 2018-date.
Director, Cuckoo Farm Studios, Colchester,2016-2021; Chairman, Management Committee, 2019-2021.
Director, Foundation for Art & Creative Technology, Liverpool (FACT), 1992-94.
Chairman, London Video Arts (LVA), 1988-89.
Director, Three-Quarter Inch Productions, London: Off-line’ video editor and Director/cameraman,(ACTT and ABS),Photographer,1980-87.
Freelance Film animator, “Take Hart”, “Hartbeat” and “Know How”,BBC TV, 1980-88.
Freelance Photographer, Design Group Four (DG4), Montreal,1980-88.
TV Studio Technician/Engineer, Inner London Education Authority,1979-81.
Audio-Visual Producer/Photographer, Vanier College, Montreal, Canada,1974-75.
Media Assistant/A-V Technician, School Board of Greater Montreal, Canada, 1972-74.