OUR BLOGS

THE GRANDFATHER PARADOX (2025)“The personal and the historical converge beautifully in Ambrose’s work, highlighting how fiction can preserve cultural memory and revive lost truths. As readers immerse themselves in this richly

A HISTORY OF VIDEO ART. THE DEVELOPMENT OF FORM AND FUNCTION The delayed acceptance of video art as a legitimate object for exhibition and study until relatively recently resulted in

Artists have only recently begun to exploit the computer as a medium of expression and exploration. The work of Chris Meigh-Andrews is certainly in the forefront of such developments. He

VISUAL ARTS DIARY: Kristine MacMichael Analogue & Digital: Pioneering and Contemporary Artists’ Video: Curated by Chris Meigh-Andrews Fieldgate Gallery, 14 Fieldgate Street, London, E1 1ES, 24 November to 16 December 2007

Interwoven Motion (2004) Extract from Catherine Elwes’ book “Landscape and the Moving Image (2022), discussing Interwoven Motion (2004) , a temporary outdoor video installation harnessing renewable energy (wind & sun), in Grizdale Forest,

From the Craftsman’s Tool to the Work of Art and Back Again – The Role of Photography in the Contemporary Installation. * Marta Raczek, “Biuletyn Fotograficzny”, Poland, March 2004 Since its

Short Histories of Video Art: 1965-present, John Hansard Gallery, Southampton, 11-15 May 2004. Chris Meigh-Andrews, Continuum, (UK, 1977.) I like to make works which operate between the flat screen (the monitor and

Extract about the work of Chris Meigh-Andrews from A History of Solar Power in Art and Design, Alex Nathanson, Routledge, London and New York, 2021. Chris Meigh-Andrews is perhaps the most prolific