OUR BLOGS

1: Video Installations & Projections: 1998-2006 In video projections and installations produced during the period from 1998-2006 I became increasingly interested in the concept of ‘location’ as both a place

An Interview with Chris Meigh-Andrews, Virus, Milan, Italy, 1995. Cinzia Cremona: Why have you chosen video as your artistic language? Chris Meigh-Andrews: I chose video a long time ago (1978) because of its

Transcript of an interview of Chris Meigh-Andrews  by Martin Barnes, Curator of Photography at the Victoria & Albert Museum, London in relation to the video projection installation A Photographic Truth, 2001. Recorded at

Interview with Chris Meigh-Andrews by Aneta Krzemieñ at Bunkier Stzuki, Krakow, Poland, November 2003. Aneta Krzemieñ: Chris, you are currently artist in residence at Bunkier Sztuki in Kraków to work on

Interview with Chris Meigh-Andrews by Dr Jackie Hatfield, 22nd May 2006 JH: Which of your works you consider to be the most important to you and why? CMA: In the

Interview with Vince Dzeikan about ‘IN DARWIN’S GARDEN’ (Leonardo Electronic Almanac, Aug-Sept, 2012) Dziekan, V.L., Meigh-Andrews, C., Blaik, R., Summers, A., 2012, Interview with Chris Meigh-Andrews, ‘In Darwin’s Garden’, Interview,

Interview with Ann Dingli about the curation for Meta-Landscapes: Representations and Perceptions, a group show opening at Valletta Contemporary (VC) in spring 2022. Ann Dingli (AD): In a video interview from

An Interview with Chris Meigh-Andrews on the Power of Video Art and the ‘Meta-Landscapes’ Exhibition Lola Bonnici, May 16, 2022 With the world dominated in full force by technology, it

Working with the Videokalos Image Processor at the London College of Printing: 1978-1981 Video tapes and installations produced: Horizontal & Vertical (1978); On the Pier (1979); Scanning(1979) andClockwise & Counter-Clockwise(1979) The Distracted Driver (1980); Field Study (1980) an installation