OUR BLOGS

Interview with Gary Willis, Melbourne, 11/10/11 CM-A: When did you first encounter video and where was it? GW: Bush Video. I am not sure about the date – I imagine

Madelon Hooykaas interview transcript (26/03/12) CM-A: How did you begin? MH: I first heard about video in 1972, and although I really didn’t know much about it at that stage,

Interview with Warren Burt, Melbourne. 11/10/1. CM-A: I have been fortunate to see some of your early video work. Can you give me some background? WB: My history as a

Peter Callas Interview: Sydney, 18/10/11 CM-A: What I am interested in is that first formative decade or two. When did you pick up video as a medium to work with?

Stephen Jones Interview, Sydney, Oct 2011. CM-A: You know my focus is quite narrow especially compared to the way you’ve been working. I am looking particularly at artists’ video. S.J:

Transcript of interview with Judith Goddard: London, Feb, 2005 C.M-A: When and in what circumstances did you first begin to work with video? J.G: It was when I went to

Transcript of interview with Sue Hall & John Hopkins: London, Feb 7th, 2005 Hoppy: I was running with a gang of artists who set up a thing called the Institute

Transcript of Interview with David Hall, Great Chart, Kent: 30/8/2000. C.M-A: Your move away from sculpture towards video seems a political move? Was it as clear as that? D.H: I

Interview with Daniel Reeves, Glasgow, Scotland: 21/11/00 C.M-A: How and when did you initially begin to work with video? D.R: I went back to college under a veteran’s rehabilitation programme.

Interview with Catherine Elwes, Camberwell, London: 24/07/00 C.M-A: What were the main factors which influenced your initial decision to work with video in a fine art context? C.E: I think