OUR BLOGS

Digital Moving Image Installations and Renewable Energy; 1994-2018 In the period between January and April 1994, while I was artist in Residence in Digital Imaging in the School of Visual

When I came back to video it was because of the technological changes- they were what brought me back to the medium, particularly after working with photography, where there was

This essay was written for the exhibition catalogue “Peter Campus: Dredgers” published to co-incide with an exhibition at the Tierney Gardarin Gallery, New York, March 7 – April 19, 2014.

Creativity, Conflict and Desire: Vince Briffa’s “Outland” at the Maltese Pavilion, Venice Biennale 2019 Although Vince Briffa has explored the expressive potential and possibilities of a diversity of media, he

The Monument Project (Si Monumentum Reqiuis Circumspice) This paper was originally published in Leonardo, Vol. 42, No 5. MIT Press, Oct. 2009. ISSN 0 262 754422 3 Abstract This paper describes the concepts,

Peter Campus’ deep and consummate engagement with video demonstrates his continued fascination with the extraordinary potential of this complex and continuously evolving medium. A major figure from the first generation

During the period beginning in the late 1960’s and in the decade that followed, a number of innovative artists sought to explore the potential of colour video imagery during the

Editorial: Looking at Recent Moving Image Work at the 52 Venice Biennale from an International Perspective. However one may feel about the choice of wording: Think with the Senses –

Peter Campus: Projected Video Works 1972-1980, Recent Landscapes 2007, Albion Gallery, London. March 6th-April 25th, 2008. This beautifully staged exhibition provided a unique opportunity to experience a number of the

Robert Cahen: Passage, Harris Museum, Preston Robert Cahen has been working with video since the early1970’s, and although his work has occasionally been broadcast in the UK, surprisingly he has never