OUR BLOGS

(1995)Vortex was designed specifically for the unusual 6-sided exhibition space at the Prema Arts Centre, which was housed in a former Georgian Chapel in rural Gloucestershire. The first floor space

(1994)Perpetual Motion is in several important ways a departure from my approach to previous installation work. It is my first installation to use digital imaging exclusively. The two image-sequences (there

“River Crossings”, The Cafe Gallery, London, 1993.The project brief for “River Crossings”, devised by Camerawork, was for site-specific lens-based works in relation to a number of designated sites along the

“New Art Northwest”, Mercury Court, Liverpool (1991) and “Media Art Festival”, Osnabruck, Germany (1992).The proposal for Stream Line which I made to the Bluecoat Gallery in Liverpool for “New Art Northwest” in

“Visions & Transmissions “Harris Museum, Preston (1990) and “Quick!” Royal Festival Hall, South Bank, London (1993). Eau d’Artifice, originally commissioned by the Harris Museum, Preston in 1990 was originally conceived