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Chris Meigh-Andrews

“Track Markers”: Fingeringhoe Nature Reserve, Essex.

I am showing a new solar-powered outdoor installation Truth is a Pathless Land (for Jiddu Krishnamurty this weekend (June 23rd-25th, 2023) in “Track Markers: Contemporary Sculpture at Fingringhoe”. This work is the second in an on-going series of outdoor neon text pieces.

On Line Exhibition: A Powerful Change

The Milano Green Forum has recently curated an on line exhibition of artists working with solar energy which includes information on my installation SunBeam (2011) as well as Digital Moving Image Installations and Renewable Energy: 1994-2018, the chapter I contributed to “Technology, Design and the Arts–Challenges and Opportunities”, originally published by Springer Books, 2020. Link […]

New Book Chapter

A new book published by Bloomsbury this month includes my chapter Sound & Vision: Early Artists’ Video and Music. Link to the book on the Bloomsbury Site

Desert Equinox, Broken Hill, Australia.

I will be presenting a new solar-powered, site-specific installation in “Desert Equinox”, Sept 30th-Oct 2nd, 2022. For further info, see: https://www.desertequinox.com.au

Meta-Landscapes: Representations and Perceptions.

An exhibition of moving image works by twelve renowned international artists. Valletta Contemporary, Malta. April 28th-June 25th, 2022. Curated by Chris Meigh-Andrews. This exhibition is centred on the theme of landscape, presenting work by artists who have pioneered the electronic moving image as an art form. The intention is to present a diverse range of […]

Interview with Beryl Korot

I have recently conducted an interview with pioneering artist Beryl Korot about the relationship between her video work and music, in particular her collaborative projects with her husband, composer Steve Reich on The Cave (1993) and Three Tales (2002). Click here to view