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Chris Meigh-Andrews

“Continuum” acquired by FMAC, Geneva and exhibited in “Hidden on Tape”, ZKM, Karlsruhe (2026-2027).

My early videotape “Continuum” (1977), made in collaboration with Gabrielle Bown has been acquired by the FMAC (Collection d’art Contemporain de la Ville de Genève) for their video collection. https://www.fmac-geneve.ch/oeuvres/collection-videos This work will also be exhibited in the forthcoming exhibition “Hidden on Tape, Early Video Art in Europe”, at ZKM Centre for Art and Media, […]

“For Michael Snow- In Memoriam”, new site-specific installation, Aug-Sept 2026

“For Michael Snow – In Memoriam”: a site-specific installation for the At Home Gallery, Samorin, Slovakia, August-October, 2026. Conceived as a tribute to Michael Snow (1928-2023), this site specific installation explores the window as a threshold space, between inside and outside, presence and absence, life, and memory. athomegallery.org/www.athomegallery.org/NEWS_2.html

Extract of Review of “The Grandfather Paradox”

“The personal and the historical converge beautifully in Ambrose’s work, highlighting how fiction can preserve cultural memory and revive lost truths. As readers immerse themselves in this richly woven narrative, they are invited not just to witness history but to feel a part of it—heralding hope in the face of adversity and making the past […]

Interview on Talk Radio Europe

I was interviewed on Talk Radio Europe (28/05/2025) on the publication of my first novel “The Grandfather Paradox”. https://charlesambrose.com

Keynote Speaker

I will be a keynote speaker at the First International Conference on Creative Arts (ICCA), taking place in the College of Art & Design, University of the Punjab, Lahore, Pakistan, Jan 27th-29th, 2025.

Sound/Image Festival, Greenwich University

An extract of my 360 4K video Nothing Beside Remains, was screened at the “Image/Sound Festival”, Greenwich University, London on Nov 11th, 2024. The work was shot at Xlendi Bay, Gozo and originally presented in a continuous repeating looped sequence in a site-specific installation at Valletta Contemporary as part of my exhibition Meta Landscapes, April-June […]