EDUCATION
PhD, Royal College of Art, School of Communications:1996 -2001.
MA (Fine Art) Goldsmith's, University of London: 1981-83.
HDCP, London College of Printing, School of Film & TV: 1976-79.

SELECTED GROUP EXHIBITIONS
Punctum, Redchurch St. Gallery, London, Dec 2007.
Analogue & Digital: Fieldgate Gallery, London, Nov-Dec 2007
Uneasy Spaces, 80 Washington Square East Galleries, New York, Sept-Nov, 2006
Digital Discourse, Cavalier St. James Centre for Creativity, Valetta, November, 2005
Short Histories of Video Art, From the Mid-Sixties to the Present , (Part 2), John Hansard Gallery, Southampton, May 2004.
Experiments in Moving Image, Lumiere Cinema, London, Jan 2004.
A Photographic Truth, Huis Marseille Foundation, Amsterdam, Aug-Nov 2003.
Smog, London School of Hygiene & Tropical Medicine, Dec. 2002-Feb 2003.
Digital Responses, Victoria & Albert Museum, Sept 2002-March 2003.
Interstanding 4, Center for Contemporary Arts, Tallinn, Nov . 2001.
The Digital Aesthetic, Harris Museum and Art Gallery, Preston, Sept-Nov 2001
Rural England Through a Victorian Lens: Benjamin Brecknell Turner, Canon Photography Gallery, The Victoria & Albert Museum, London, April-Sept. 2001.
AnOther Place, Storey Institute, Lancaster, Jan-Mar. 2001.
Visions in the Nunnery, The Nunnery Gallery, London, Oct, 2000.
Submerged , Bath International Music Festival, Bath , May -June,1999.
Back/Slash, Castlefield Gallery, Manchester, Sept.-Nov. 1996.
ArCade, Digital Creativity, University of Brighton, April 1995 (Touring UK: 1995-97)
River Crossings, Camerawork, (The Café Gallery) London. April - May, 1993.
Quick! , Royal Festival Hall, The South Bank Centre , London, April 1993.
European Media Art Festival, Osnabruck, Sept. 1992.
4xVideo, Galeri OneOne, Antwerp, Feb. 1991.
New Art Northwest Mercury Court, Liverpool. Aug. 1991.
Visions & Transmissions, Harris Museum, Preston. Nov.-Dec. 1990.
External Affairs, Canada House Gallery, London. Sept. 1989.
Genlock, Interim Arts, London, 1988. (Touring UK: 1988-89)
Electric Eyes: British Artists Video 1985-88: Tate Gallery, ICA, London;
Sao Paulo; Museo de Arte Moderno Medellin, Columbia; Akademie der Bildenden Kunst, Vienna. (Touring UK:1988-89)
The Art of Understatement: Recent British Video, Madrid, 1988.
British Video Art & Experimental Film, Mucsarnok, Budapest, 1987.
Breaking Boundaries, Channel 6, ICA, London: 1986.
Light Years, London Film-Makers Co-op: 1986.
New British Video, Atelilier de Pedegogie et d'animation, Strasbourg, 1986.
Summary Video UK, ICA, London: 1984.
The British/Canadian Video Exchange, A Space, Toronto, 1984.
Olympus Gallery, London, January, 1984.
Video/Performance, The Photographers Gallery, London: 1984.
Gallery Trenkanten, Copenhagen, 1983.
New British Video, Museum of Long Beach, California, 1983.
Atelier Ste. Anne, Brussels, 1981.
The New Contemporaries, ICA , London: 1979.

TOURING EXHIBITIONS
Analogue: Pioneering Artists’ Video from the UK, Canada and Poland (1968-88) Tate Modern (Nov 2006), Tate Britain (Dec 2006), FACT, Liverpool, (March 2007), The Museum of Contemporary Canadian Art, Toronto, (November 2007) Cavalier St. James Centre for Creativity, Valletta. (Oct-Dec 2007), Arsenal Cinema, Berlin (March 2008) Centre for Contemporary Art, Ujazdowski Castle, Warsaw (Nov 2008)
ArCade, Digital Creativity, University of Brighton, April 1995 (Touring UK: 1995-97)
Electric Eyes: British Artists Video 1985-88: Tate Gallery, London; ICA, London; Sao Paulo, Brazil; el Museo de Arte Moderno de Medellin, Columbia; Vienna, Austria.(also Touring UK 1988-89)
Genlock, Interim Arts, London, 1988. (Touring UK: 1988-89)
The Ottawa International Festival of Video Art, (Touring Canada: 1984-85.)
New British Image, Side Gallery, Newcastle: 1977. (Touring UK:1978-79)

SPECIAL EVENTS & FESTIVALS
The Nature of Systems, British Film Institute, London, Nov. 2007
Interwoven Motion, Prototype outdoor self-powered video installation,
Grizedale Forest, Cumbria, Sept. 2004.
Tabala Rasa, Croydon Clocktower, Dec 2002.
Mute Loops, Lux Gallery, London, July 2001.
The British Landscape Through the Lens, Tate Britain, London, Oct-Nov 2001.
Place Setting , (with Peter Ting) Victoria & Albert Museum, London. Nov. 1999.
The Ottawa International Festival of Video Art, (Touring Canada: 1984-85.)
Video by Artists, National Film Theatre, London, March, 1984.
The Expanded Media Show, Sheffield City Polytechnic, Feb. 1983.
LVA Gallery, London, Sept. 1983.
Ljublana Festival, Ljublana, 1983.
Three-Quarter Inch Productions: Chris Meigh-Andrews, Cairn, Paris, 1982.
Video Screenings: Chris Andrews, ICA Cinematheque, London, 1982.
Fourth Annual Tokyo Video Festival, Tokyo, 1981.
London Video Arts at the London Musician's Collective, Aug.1981.
New Acquisitions, Art Metropole, Toronto, 1981.
National Video Festival, South Hill Park, Bracknell, Berkshire, 1980, 1981, 1982 & 1987.
Rusden State College, Victoria, (Australia) , May 1979.

REVIEWS & ARTICLES: About the work of CM-A
“The Video Art Gallery”, Aesthetica, Nov 2007
“A History of Video Art; The Development of From and Function”, Samantha Lackey,  “Screen Studies”, The Art Book, Vol. 14, Issue 3, August 2007, Blackwell Synergy.
“As Seen on Screen”, The Metro, 2/3/07.
“Distributed Aesthetics and the Tele-image”, Vince Dziekan,  “Remote”, Plimsol Gallery, Centre for the Arts, Hobart, Australia, June 2006.
“Gray Scale Video and the Shift to Colour”, Sean Cubitt, Art Journal, Sept 2006.
Digital Discourse, Malta Now, Issue 09, Jan, 2006.
Digital Discourse, The Times, (Malta) Dec 2005.
Interwoven Motion, AN Magazine, November, 2004.
From the Craftsman’s Tool to the Work of Art and Back Again- About the Role of Photography in Contemporary Installation, Biuletyn Fotograficzny, Krakow, March, 2004.
Amsterdam volgens een pionier en een zanddfotograaf, Het Parool, 30/09/2003
Tijdreis in het donker met foto’s van BB Turner, NRC Handelsblad, 25/09/2003
Nothing Matters, Interstanding 4, End Repeat, Estonian Art, Vol 2, 2001.
Case Study : A Photographic Truth 2001, Hot Dots, Nov, 2001.
Video Links Past and Present at V&A, AV Magazine, Sept. 2001.
Nor Did His Shutter Sleep in His Hand, The Times, 3/4/2001.
Fenetre Digitale, Time Out, No.1575, Oct. 25th-Nov. 1st, 2000.
Submerged, Soundings, AN Magazine, July, 1999.
Mothlight, Flash Art (Italy) , Summer 1998 .
Tecnologia e ambiente poi amore e...faralle, La Nazione, Tuscany, (Italy) 17/4/98.
Mind's Eye, "The Guide", Exhibitions Preview, The Guardian, 12/7/97.
Mind's Eye, Preview, Contemporary Visual Arts, Issue 15, July1997.
Perpetual Motion by Chris Meigh-Andrews, City Life, Manchester, Oct. 1996.
Chris Meigh-Andrews, Vortex- A Video Installation , Live Art Magazine, April1996.
Interview with Chris Meigh-Andrews, Virus, Milan, Italy, April, 1995.
Lost in Cyberspace, Artists Newsletter, June 1994.
Camerawork on Board, Stage, Screen & Radio, May 1993.
River Crossings, Hybrid, June-July, 1993.
River Crossings, Creative Camera, Feb.- Mar.1993.
European Media Art Festival ,Variant, Nov. 1992.
Osnabruck Media Art Festival, Frankfurter Rundschau, (Germany) 17/9/92.
Eau d'Artifice, Chris Meigh-Andrews, Performance, Spring 1992.
Video Art Flows into Mercury, Liverpool Daily Post, 21/8/91.
Visions & Transmissions, Screen, Vol. 32, No. 2, Summer 1991.
Visions & Transmissions, Artscribe International, April 1991.
High Tech Exhibition Features Video Art, Lancashire Evening Post, 29/11/90.
The Stream, Independent Media, March 1988.
Reel Art, Time Out, No. 674, July 22nd-28th, 1983.
Video Art, Stills, Vol.1 No. 4, Winter 1982.
Moves & Blurs, The Listener, Feb. 1978.

PUBLICATIONS: Articles written by CM-A
In the Light of History, Papers from the Refresh Conference, Sean Cubitt, ed. Leonardo, Journal of the International Society of the Arts, MIT Press, Jan 2007.
Beyond Thresholds, Contemporary Magazine, Issue 73, June 2005. ISSN 1475-9853
Steina and Woody Vasulka: Multiple Dialogues, www.lux.org.uk
Sculptural & Video Installations: 1989-95, Experiments in Moving Image, Epigraph Publications, London, 2004.
Mapping the Image, Digital Creativity , Swets & Zeitlinger, The Netherlands, Vol.12, 2001.
Chris Meigh-Andrews, Video Tapes, Installations and Projections; 1978-2001, “Art in-Sight”, Filmwaves, Issue 15, 2001.
Unseen Images, Bill Viola, Art Monthly, No. 173, Jan 1994.
Dummies, Dolls & Poison Candy, Tony Oursler, Art Monthly, No. 171, Nov. 1993.
Abstract, Still Life, Portrait, Art Monthly, No. 136, May 1992.
Video Positive 1991. Art Monthly, No. 147, June 1991.
Video Sculpture & Installation, Harris Museum, Preston, Nov. 1990.

RADIO & TELEVISION INTERVIEWS
Polskie Radio 2 (Polish national radio) and Radio Krakow, 20/01/04, (Feature)
BBC Radio Lancashire, 28/10/03 (Live interview)
Eesti (Estonian National TV) 11/01 (interview & feature)
Bath International Music Festival, HTV, 23/5/99. (Interview & feature)
BBC TV South West, 20/5/99. (News feature)
BBC Radio Bristol, 15/07/97. (Live interview)
Vortex at Prema Arts Centre, BBC Radio Gloucester, 31/10/95. (Feature)
Oxford Brookes University's First Artist in Residence, BBC Radio Oxford,
25/2/94 (feature) and 27/2/94 (live Interview)
River Crossings, Kaleidoscope, BBC Radio 4, 26/3/93 .(Interview & feature)
European Media Art Festival, NDR 3 (German regional TV) 10/3/93 (Interview & feature)
Video 3, The Eleventh Hour, Channel 4 & WGBH, Boston , USA, 1985 & 87 (Interview)

GRANTS & AWARDS
British Council Travel Awards, (Poland) 2005 and  (Malta) 2005
NESTA (National Endowment for Science, Technology and the Arts) 2003-04
Arts Council England, 1988,1991,1993,1994,1995 ,1997,1999, 2003, 2004
North West Arts, 1994,1996,1998 & 2000.
Southern Arts, 1994.
Henry Moore Foundation, 1999.
South West Arts, 1995, 1997 & 1999.
Foundation for Sport and Art, 1995.
Northern Arts, 1995.
Ontario Ministry of Culture & Arts, Canada. (Visiting Artist Award) 1994.
London Arts, 1984, 1986 & 2002.
Danish Film Institute (Visiting Artist Award) 1984.

COMMISSIONS
The Monument Project, Ambient responsive digital image installation, City of London, commissioned by Julian Harrap Architects in collaboration with the Sandbox, Uclan. 2007-08.
Interwoven Motion, Prototype outdoor self-powered video installation, Grizedale Forest, Cumbria, FACT, Liverpool, with support from Grizedale Arts, 2004.
Temporal View in Amsterdam , Digital projection, Huis Marseille Foundation for Photography, Amsterdam, 2003.
For William Henry Fox Talbot, ''Live' solar-powered site-specific installation, Victoria & Albert Museum, London and Lacock Abbey, Wilts, sponsored by Canon UK, and Solar Century, 2002.
A Photographic Truth, Digital projection, Victoria & Albert Museum, London, sponsored by Canon UK, 2001.
Submerged, Site-specific installation, Bath Festivals Trust & DA2, Bath, 1999.
Vortex, Video installation, Prema Arts Centre, Gloucester, 1995.
Fire, Ice & Steam, Site-specific installation, Middlesbrough Gallery, Cleveland, 1995.
Cross-Currents, Site-specific installation , Camerawork, London, 1993.
Streamline, installation, Bluecoat Gallery, sponsored by English Estates, Liverpool, 1991.
Eau d'Artifice, installation, Harris Museum, Preston, sponsored by Samuelsons Communications and Jewson ltd, 1990.

VISITING ARTIST & RESIDENCIES
Arts Council International Artist Fellow, Bunkier Sztuki, Krakow, Nov 2003-Jan 2004.
Video Artist in Residence, Prema Arts Centre, Uley, Gloucester. Aug. - Oct. 1995.
Video Artist in Residence, Cleveland Arts, Middlesbrough, April-May 1995.
Artist in Residence, Saw Gallery, Ottawa, Canada. Aug.-Sept. 1994.
Resident Artist in Digital Imaging, School of Visual Arts, Music & Publishing,
Oxford Brookes University, Jan.-July 1994.
Guest Artist, Summer Arts Lab, Duncan of Jordanstone College of Art,
Dundee, Scotland, Aug.1994.
Guest Artist, Falling Annual Festspiel, Odder, Denmark. Sept. 1984.

PREVIOUS TEACHING: 1979-2000
Reader in Electronic and Digital  Art, Dept of Art & Fashion: 2000-2007.
Senior Lecturer, Area Co-ordinator in Time-Based Media, & Course Tutor, MA Fine Art, Dept. of Art & Fashion, University of Central Lancashire: 1986-2000.
Part-time lecturer in Time-Based Arts, School of Arts, Leicester Polytechnic:1989-91.
Senior Lecturer (0.5) in Time-Based Studies, Kent Institute of Art & Design:1988-89.
Part-time lecturer in Film & Video, City of London Polytechnic:1987-88.
Part-time lecturer in Fine Art, Lancashire Polytechnic: 1984-86.
Tutor in video, London International Film School: 1983-88.
Part-time lecturer in Video, School of Film & T.V. London College of Printing: 1980-83.
Part-time lecturer in Photography, Southend School of Art & Design: 1979-82.

ACADEMIC & PROFESSIONAL APPOINTMENTS
External assessor, BA Fine Art, New Media, University College Chester, 2002-05.
External assessor, MA Digital Arts, Camberwell College of Art, 2001-04.
External assessor in Time-Based Arts,BA (Hons) Fine Art, University of Dundee, Duncan of Jordanstone College of Art and Design, 2001-2003.
Chairman of "The Bright Side" conference, Video Positive, Liverpool, April 2000.
Film & Video advisor for North West Arts, 1997-99.
External Advisor for validation of BA (Hons) in Film and Electronic Media, Gloucester College of Further Education, 1992.
Member of the Board of Trustees of Moviola, Liverpool: 1992-94.
Member of Council for National Academic Awards: 1991.
Chairman of London Video Access: 1987-89.
Member of Board of Management: London Video Arts:1979-82.

CURATORIAL
“Digital Aestheitc 2”, Harris Museum, March-June 2007
“Analogue & Digital”, Fieldgate Gallery, London, Nov-Dec 2007.
Analogue, (with Catherine Elwes), in association with the Lux Centre, London, 2003-05.
Visions in the Nunnery, Bow Arts Trust, London Feb 2002.
The Digital Aesthetic, Harris Museum and Art Gallery, Preston, November 2001, funded by NW Arts, Preston Borough Council, Univ. of Central Lancs & The Elephant Trust.

WORK IN PUBLIC & PRIVATE COLLECTIONS
Muzeum Historii Fotografi, Krakow
Amsterdam Muncipal Archives
Huis Marseilles Foundation of Photography, Amsterdam.
Sheffield Hallam University.
The Victoria & Albert Museum, London
The Vasulka Archive, Santa Fe, USA.
The British Artist's Film & Video Study Centre, London.
The Lux Centre, London.
The National Archive of Film & Television.
Rusden State College, Victoria, Australia.
Cairn, Paris.
The Royal College of Art, London.

OTHER RELEVANT EXPERIENCE
Director, Three-Quarter Inch Productions, London: (Film & video animator; 'off-line' video editor; Director/cameraman; Photographer ): 1980-87.
TV Studio Technician/Engineer, Inner London Education Authority: 1979-81.
Audio-Visual Producer/Photographer, Vanier College, Montreal, Canada :1974-75.
Media Assistant/A-V Technician, School Board of Greater Montreal: Canada 1972-74